MUSIC

Lydia Lunch RETROVIRUS

New York, NY

Lydia Lunch may well have invented no wave when she erupted upon the downtown New York scene of the late ‘70s and fronted the revolutionary Teenage Jesus and the Jerks. Considered to be one of the defining movements of music’s last half-century, no wave has been chronicled in the Brian Eno-curated New York No Wave compilation, countless articles, a book and by every single interesting discordant musician to exist since. 

Meanwhile, Lunch has not stopped fucking up convention in new ways. Her singular voice has lent itself to film, poetry, spoken word, books, comics, podcasting (possibly just to fuck with Joe Rogan — look it up) and even self-empowerment. Her collaborators include Sonic Youth, Einstürzende Neubauten, Nels Cline, Hubert Selby Jr. and innumerable others.

Hostile, vulgar and unfiltered, Lunch’s iconic swagger is something everyone wants but few could handle; partly why she never entered the mainstream system. Her company Widowspeak Productions handles all her recording and publishing, including the career-hopping live album Retrovirus (2013) — also the name of her current performance vehicle.

Made up of Lunch and “all-star cast of sonic brutarians” Weasel Walter, Bob Bert and Tim Dahl, Lydia Lunch RETROVIRUS will tackle Lunch’s works from 1977 to present via selections from Teenage Jesus and the Jerks, 8 Eyed Spy, Queen of Siam and Shotgun Wedding, wading into territories of no wave, hard rock, psychedelia, “illustrated word” and “jazz noir” in the process. 

This blueprint aside, the work of Lydia Lunch is predictable to no one. You will be frightened, perplexed and engrossed by what you see. If you’re open enough, you will also be tremendously inspired.

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